Latest Transcriptions

Million years Ago [Adele] PIANO ACCOMPANY

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Million years Ago [Adele] PIANO SOLO

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Dưới Những Cơn Mưa [Mr. Siro]
[Sheet music]—--[Youtube]

Vì tôi còn sống [Tiên Tiên]
[Sheet music]—-–[Youtube]

Tong Hua 童话 (Fairy Tale)
[Sheet music]—–—[Youtube]

Moonlit Night メメント・モリ [FULL] and Memento Mori メメント・モリ from Death Parade デス・パレード

Moonlit Night メメント・モリ
Death Parade デス・パレード

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Memento Mori メメント・モリ
Death Parade デス・パレード

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Love Deterrence ~ Koi no Yokushiryoku [piano]

Gone [Jim Chappell’s composition]

Too lazy to transcribe and arrange my own 😉

This time, let take a shot listening to New Age genre with one of the most favorite of Jim Chappell’s compositions, Gone.

Jim Chappell, an evocative melodist with the hands of simplicity but elegance; a melodic creator with the need of dynamic fusion of performer’s soul.

Gone and Heartsong are my most two loved Jim Chappell’s composition and I used to longed to play these two on my own when I first listened to them. The flowing melodies can blow all of pressure and stress from normally bored life.

Gone is basically a easy piece to play. However, without dynamic execution of every single note, the piece easily become souless and emotionless even though the tempo and notes are followed correctly. Due to these reason, Gone is actually a hard piece to play.

When I recorded the song countless time and endlessly review it, I felt something crucial was missing but didn’t really figure it out what the missing piece was. I listened to my own recording when driving, sleeping and eating for 1 day. Bang, it was the reverberation.

Yep, enjoy Gone with extra reverb, my fellow audience.






The mark of my return: Santa Claus no Sora (from Aria)

I was so wrong that people are destined to be with one another. People fundamentally born alone. There is always a tiny little loneliness in our heart. Thankfully, I can adapt to the big one of mine and exploit it. Yes, I am here once again. The stage always wait for me and unseen audience all around the world are in grief for me to return. I am sorry all of all who remember me.

The mark of my return!

I consider my sky is the same as Santa Claus in this beautiful piece. Truly, it is great to be back. After 9 months of hiatus, I am now certain that music, my blog, and my stage of performance here will never ever ceased to exist.

With my empty hand, without the acclaim of other considering me as a pianist, I still always contribute my little talent to the world, I will always come to you to dig up melodies that only you remember. From there, we can once again enlighten the music that has been forgotten by time. From there, you won’t be the only one hearing those melodies that you think only you have it.

Let the true beauty defeat popularity to dead.

“Minna, namae wo yonde, Vangakuz”

“なまえをよんで Vangakuz”

Seventh heaven (from Garden of sinners) by Yuki Kajiura/Kalafina

Ever since my hardest transcription was finished, I have always conflicted myself about my ability: my transcribed skill and my level of piano playing are not in sync. That is normal totally, I admit. Composers may not sing well. Singers may not compose a single song in their lifetime. Pianist may not compose themselves but only cover others’ compositions. I know my unbalance. That’s why I try to avoid compete with other, rather, I choose easy song with low tempo and relaxed melody.

I ask myself whether it’s a good thing to go on that path. Thinking back, I always know the answer but I decide to live in denial. Ever since I make my performances public, my attitude somehow has changed: from admiration to slight jealousy, from enjoyment to competition, from acceptance to rejection.

From admiration to slight jealousy: lot of YouTube pianists out there are better than me. I admire their skill, love them but also jealous their talent. Is it because of my or my fate that I could not reach to where they belong to?

From enjoyment to competition: many years ago, I was so happy each time somebody covers my favorite songs in piano but now, each time I listen to those, I carefully analyze in detail and have attempted to replay myself.

From acceptance to rejection: I have became pickier in selecting and rating music.


Ever since when I accept request and public my video on YouTube, my perception has changed. I am contributing music to the world which means that I can no longer perceive music as years ago. I am no longer a normal audience. Music may not heal me anymore but rather I may hurt myself for it. Such a bittersweet pain.


If some of you reading this post, enlighten me and tell me why so many artists are in hiatus (Utada Hiraku, Shunichi Miyamoto…) or even quite their careers??

This time, I will risk myself again: this is going to be one of my finest arrangement ever (along with Sakura Nagashi and Mischievous of Alice)

Seventh heaven (from Garden of sinners) by Yuki Kajiura/Kalafina

And I forgot to mention my latest cover “One Form of Love”